About three years ago, I attended the National Conference on Undergraduate Research, where I presented on the concept of using revision as an integral part of the creative process. I have come to view revision–my opinion has been revised–as even a primary source of creativity.
Over the past year, in particular, as I was working through the thesis project, revision was a primary mode of work. In one way, I felt a hole in that I was not creating any new poems. This however, was not really the case. Reflecting now, several months after the defense, I can see that both the work as a whole, and the individual poems, are substantially different. Of the initial chapbook-length collection I began the process with, only a few poems remain in the bound thesis, and most of those amount to completely different poems.
The revision process had, in other words, become the primary creative mode.
I wonder, and you may be wondering, the why and how of revision functioning as a primary creativity mode. I have three ideas about this:
- Close Attention
- Time Scale
- New Avenues
Expect new entries soon on each of these topics.
Pingback: Revision and Creation: 1 – Close Attention pt. 1 | Poetic Idealism